Archive for the ‘design’ Category

The Big Red Triangle

Monday, January 16th, 2012

Bass is better regarded as an icon of graphic design than as a beer.

It’s usually found in pubs that seem stuck in a timewarp and, in our experience at least, is rarely drinkable, from either keg or cask. We’ve found it sour and stale everywhere from grotty pubs with sticky carpets to gaudily wallpapered ‘style bars’ in south London.

A couple of weeks ago, however, we had a pint that was in tip-top condition and were reminded that at its best, Bass is a complex beer which carries some intentional ‘off flavours’ with aplomb. The sulphurous aroma, the hint of cider-apple and a final chalkiness, are not repellent but absolutely harmonious. It is reminiscent of, and better than, recent bottles of Worthington White Shield.

Until it tastes this way more often, however, while we won’t give up on it, it’ll have to remain on our list of beers of last resort.

Simon ‘Reluctant Scooper’ Johnson seems to know where to find Bass in reliably good nick; and those who like to try to find the breaking point of the term craft beer will find Bass a useful bit of ammo.

Smutty pumpclips: no thanks

Thursday, November 17th, 2011

We wrote this for the head-to-head feature in the most recent issue of CAMRA’s BEER magazine. You can read Simon “Reluctant Scooper” Johnson’s argument in favour of “Ginger Tosser” et al over at his blog. This is the unedited text we sent them with never-seen-before deleted scenes and bloopers a few extra sentences. If this kind of dynamite material doesn’t convince you to join CAMRA just to get the magazine, nothing will…

Smutty pumpclips with badly-rendered ‘busty wenches’ and willy-waving vicars do nobody any favours. They don’t sell beer. They rarely, if ever, make anyone laugh. And, perhaps worst of all, they give the knockers another stick with which to beat beer and those who drink it.

Wine producers don’t market their lovingly crafted, artisanal products this way because they know they deserve to be taken seriously. Nor, for that matter, do German breweries, of any size. Perhaps British ale brewers are naturally self-deprecating?

Smutty pumpclip apologists will say that it is po-faced and middle-class to complain about them (as if the middle-classes have a monopoly on good taste). They will also argue that a ‘wacky’ pumpclip does sell beer. They argue that it grabs attention at the point of sale and so, for minimal outlay, helps the little man stand-up to the giant marketing budgets of the bigger breweries. Yes, the occasional pint of a rudely named beer might sell on novelty value, but that won’t win longer term converts. People watched the Carry On films, for a while, but they didn’t save the British film industry.

The long-term survival of good beer, and especially cask ale, depends on it being accepted as a mainstream product for men and women with discerning taste (like free range meat or good cheese) rather than a niche product for a small number of punning oddballs.

Think about Thornbridge’s pumps and their success in competing for attention on the pub bar. Their simple, colourful, contemporary design stands out from the competition without being the graphic equivalent of Colin Hunt, the attention-seeking office joker from The Fast Show. It doesn’t offend or embarrass anyone and, importantly, appeals to people who might not normally consider drinking ale.

We’re going to put more words into the mouths of those imaginary critics: “This is superficial nonsense! It doesn’t matter what the pumpclip looks like, or what the beer is called, only how it tastes.” But it does matter. Even before we’ve tasted a pint, the way it looks in the glass, its name, provenance and, yes, the image on the pumpclip, are stimulating the pleasure centres of our brains. They say you eat with your eyes and we think the same is true of drinking beer.

Or not. One particular turn off for us is when beers have names that refer to urine. Seriously, who wants to be thinking about wee when they lift that glass to their lips?

Yet more vintage beer mats

Saturday, October 22nd, 2011

Here are four British beer mats from the sixties (or early seventies?).

Two make dubious health claims for their product — Mann’s does you a power of good, while Mackeson’s looks good, tastes good and does good. The retro equivalent of “contains friendly bacteria”, maybe?

And these two are just beautiful. Helvetica ahoy on the Worthington mat? And the Watney’s design is pure Festival of Britain.

Vintage beer mat designs

Friday, October 21st, 2011

Rooting through a secondhand bookshop in Penzance this week, we found a box full of old beer mats and couldn’t resist buying a little stack. Many were from now extinct breweries, advertising beers which don’t exist anymore. Their designs are simple but very evocative of another age.

Here are a handful of scans, mostly of British beer mats, but with one excellent German design thrown in as a bonus: you can’t go wrong with any picture of a planet doffing his boater, can you?

Beer mat advertising Devenish No 1 Double Weymouth Stout

Huntsman Draught XXXX -- a dark strong beeer for a glow of warmth

Vintage beer mat promoting DAB (Dortmunder Aktien Brauerei)

The Big Session Comeback Tour

Friday, September 2nd, 2011

Beer mat from the Hausbrauerei Altstadthof, Nuremberg.

We haven’t taken part in the session for a couple of years, mostly because we found ourselves struggling to fit in an opportunity to, e.g., drink a particular type of beer before it rolled around.

Anyway, it’s time to get back in the saddle so here we are again to talk about the art of beer labels, caps and coasters, for this month’s session hosted by HopHeadSaid.

We have a particular interest in commercial design and illustration and when it relates to beer, all the better. We’ve posted about it on more than one occasion and have been really enjoying this excellent blog about beer branding recently.

The image above is one of our favourite bits of beer-related design and, perhaps not so coincidentally, comes from one of our favourite breweries.

What’s not to like? There’s sans serif typography (we have some sympathy with the Helvetica nerds), a simple colour scheme reflecting the flag of Franconia and an equally simple graphic. All of this reminds us vividly of their pub in Nuremberg and their beers, all of which are also simple, unpretentious and clean.

You’ll note that the image above is a bit rough. It needed some restoration because this beermat, along with a stack of others from Germany, the Czech Republic and Belgium, lives in our kitchen and gets used every day. It’s a little bit of Nuremberg we can enjoy every day. As a result, it is covered in beer stains.

Mind you, that Satan cap art isn’t bad either, and nor are the twin labels for the Brooklyn/Schneider collaborations.

Really geeky beer glasses

Saturday, July 3rd, 2010

Beer glasses with designs from the arcade cabinets of classic Atari games. Wow. I want some.

Bailey

Thoughtful beer geek gift

Friday, January 15th, 2010

Bailey’s little brother had a fit of thoughtfulness and for Christmas this year got this very nice chap to engrave six beer glasses with a version of  the graphic from our blog’s header.

Drinking our own brews out of our own branded glasses is very satisfying indeed!

Vaguely tasteful St George’s Day brand

Tuesday, April 28th, 2009

Pump clip for Slain, a brown ale from Station House

Slain from the Station House Brewery in Frodsham, Cheshire, is actually pretty nicely branded for a St George’s Day cash-in.

It was so restrained compared to the other beers on the bar (British Bulldog and Old Enoch Powell) that it took me a while to ‘get it’.

As for the beer, I think it’s the only example of what those who are into beer styles would call a ‘northern brown ale’  I’ve ever had on draught. It wasn’t fantastic, but it certainly made a change.

Imperial Burton Ale

Wednesday, April 15th, 2009

imperialburton

What’s an Imperial Burton Ale? Or a luncheon stout? They both feature on attractive historical beer labels from Essex brewery Ward’s available at the excellent Foxearth local history website. There are also some great historical photos of the brewery and its people from the 19th and early 20th centuries.

Best old sign in London?

Thursday, February 19th, 2009

This sign advertising the range of Charrington’s beers is about two metres square and now sits on the side of an otherwise very plainly decorate budget-conscious hotel on Markhouse Road, Walthamstow. It’s one of our very favourites.

Old sign reading: Charrington's celebrated bitter, Burton, mild ales, porter & IMPERIAL STOUT